Usar "oratorical" en una oración

1. Oratorical gamesmanship played well with crowds that were less sophisticated……perhaps (even) more so than what one might encounter today, as difficult as it may be to imagine

2. Andrew was never jealous of Peter's oratorical ability

3. “How tragic!” Isaac said in an oratorical style

4. ” he held up an oratorical finger, “who will read it?" He paused dramatically, thrusting himself at Frank

5. Much has been said about Modi’s oratorical flourish

6. His demonization of the Slavic people and Jews and Bolsheviks and other groups was a political ploy: an oratorical tool

7. sprang open, and summoning up all his oratorical strength he said, “AND YEA, WE

8. "Sir," said Villefort, in the squeaky tone assumed by magistrates in their oratorical periods, and of which they cannot, or will not, divest themselves in society, "sir, the signal service which you yesterday rendered to my wife and son has made it a duty for me to offer you my thanks

9. The terrible strain of hope and fear was telling on him, and he seemed to husband the last sparks of his fire for those oratorical efforts of which even the distant Europe was to hear

10. He took off his hat and waved it for emphasis as he spoke in a dramatic oratorical fashion that wouldn’t have been out of place in a revivalist’s pulpit

11. " The description finished, the district-attorney resumed with an oratorical turn calculated to raise the enthusiasm of the journal of the prefecture to the highest pitch on the following day: And it is such a man, etc

12. The subject under discussion did not appear to be very popular with the assembly, and some would have been delighted to change it; but Evgenie would not stop holding forth, and the prince’s arrival seemed to spur him on to still further oratorical efforts

13. Petersburg, to convict and punish the evil-doers of the commissariat,—when in all the cities dinners with speeches were given to the heroes of Sevastopol, and when to them, with arms and legs torn off, toasts were drunk, on meeting them on the bridges and on the highways; that time, when oratorical talents developed so rapidly in the nation that a certain dram-shopkeeper everywhere and upon all occasions wrote and printed and recited by rote at dinners such strong speeches, that the guardians of the peace had to take repressive measures against the dram-shopkeeper's eloquence,—when in the very English club a special room was set aside for the discussion of public matters,—when periodicals sprang up under the most diversified standards,—periodicals that evolved European principles on a European basis, but with a Russian world conception, and periodicals on an exclusively Russian basis, but with a European world conception,—when suddenly there appeared so many periodicals that all names seemed to be exhausted,—"The Messenger," and "The Word," and "The Speaker," and "The Observer," and "The Star," and "The Eagle," and many more, and, in spite of it, there appeared ever new names; that time, when the constellation of philosophic writers made its appearance to prove that science was national, and not national, and non-national, and so forth, and the constellation of artistic writers, who described a grove, and the sunrise, and a storm, and the love of a Russian maiden, and the indolence of a certain official, and the bad conduct of many officials; that time, when on all sides appeared questions (as in the year '56 they called every concourse of circumstances, of which no one could make any sense), questions of cadet corps, universities, censorship, oral judicature, finance, banking, police, emancipation, and many more:—everybody tried to discover ever new questions, everybody tried to solve them, wrote, read, spoke, made projects, wanted to mend everything, destroy, change, and all Russians, like one man, were in indescribable ecstasy

14. And it is this poeticality, imitativeness, effectfulness, and interestingness which, thanks to the peculiarities of Wagner's talent, and to the advantageous position in which he was placed, are in these productions carried to the highest pitch of perfection, that so act on the spectator, hypnotizing him as one would be hypnotized who should listen for several consecutive hours to the ravings of a maniac pronounced with great oratorical power