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1. The highly coloured lithograph of the Faithful Hero seemed to look dimly, in the light of one candle, at the man with no faith in anything except the truth of his own sensations
2. The book is abundantly illustrated, having twelve excellent plates in lithograph and photogravure, and two hundred and seventy-eight in the tone process and photoengraving
1. " She was taking with her some hundreds of copies of a lithographed appeal, I believe of her own composition
1. ’” “The Resurrection And The Future Life,” page 420-421, 1913, Knoxville Lithographing Company, church of Christ
2. Can you?” Founder and president of the Johnson Bible College, “The Resurrection And The Future Life,” page 432-433, 1913, Knoxville Lithographing Company, (church of Christ)
3. Lithographing Kronos, Zeus his son, and Hercules his grandson,
1. They sweep and tidy his roc m more carefully, and hang lithographs over his sofa ; under the table they lay an emaciated-looking rug
2. It was covered with old and tattered yellow paper, and had horrible lithographs of mythological subjects on the walls; in the corner facing the door there was a long row of painted ikons and several sets of brass ones
3. Your cultivated Frenchman would say that some periods were better than others, but that there were no bad periods; he would say that, to be sure, the style of the First Napoleon’s Empire was not a very fortunate style,—too stiff, too absurdly pseudo-classic, unworthy of France, a poor enough successor of the dainty and playful art of Louis XV, or the somewhat more refined and restrained art of Louis XVI: but he would say that it was art still, and the period a not wholly inartistic period; and even of the dull times of the Napoleon of Peace, from 1830 to 1848, while he would confess to a great deal of languor and lack of public spirit of all sorts, except in the struggle which the Romantic artists, headed by Delacroix, waged with the Classicists, headed by Ingres; while he would admit that the abundant wood-cuts and lithographs, the painting and statues much less abundant even in proportion, and the buildings very few and unimportant, were not sufficient to make up a great artistical epoch, that is, for France; yet as for its being an epoch without art,—such a thing as that, he would say France had not known since she was France
4. Other gentlemen have contributed water-colors and oil-paintings by Barye, among them being several landscapes at Fontainebleau, and there are various etchings and prints after his works and some of his lithographs, pencil-sketches and autographs, with a copy of the only etching—a stag fighting a cougar—which, according to so good an authority as Mr
