Usar "protagonist" en una oración
protagonist oraciones de ejemplo
protagonist
1. Because a girl could never be the protagonist of his tale
2. Far from dreading the unknown, the protagonist delves into it, makes it his ally and describes what he sees and pries, touches and analyzes
3. It is rumoured that his diaries had been found centuries later by a female revolutionist of her time and used as a blue print for the protagonist of one of the most famous books of mankind
4. protagonist and author whose calculated risk lays in balance in a pleasant and, for some people at times, unimaginable frame
5. It simply crumbles into dust in the hands of even the most unskilled protagonist
6. It seemed that my beloved Leonardo was in the library since very early hours in search of some books for The Fortaleza’s trainees, and in this laudable work he was when, alerted by the noise of the street, approached the window and watched the singular scene with my person as main protagonist
7. The mere mention of the skulls transported me to an unreal world in which death was the unique protagonist: that evil and treacherous villain that lurks on the edge of roads to exercise its reign of terror and doom
8. fact that my protagonist was a woman and the implications of being
9. Now he was a City dweller, now he was a tree-dweller; back and forth between these polarities our dichotomous protagonist reverberated
10. Holden Caulfield is the protagonist
11. They came to their room and switched on their TV where a movie was coming in which the protagonist suffered from a rare disease which accelerated his ageing process tremendously
12. Like the protagonist in that Bob Seger song they now use to sell the trucks, I felt endlessly powerful and
13. She had after all been nominated as one of the finalists for the award of Best Actress in a Drama Motion Picture, for her role as the main protagonist of ‘DANCES WITH THE SHADOWS’, the prequel to her first movie ‘CROSSROADS’
14. As might be expected, the choice of such a protagonist for an
15. unambiguously liberal protagonist in a Kubrick film,[19] and it can be argued that the producer, James B
16. For example, the novel The French Lieutenant’s Woman and the films The Family Man and Sliding Doors can be considered allegories for how events happen to the same protagonist in different probable realities
17. should have a floating city, but since that doesn’t seem to be the case, the protagonist gets to visit this one
18. I draw heavily on the characters in that book as being major influences on my protagonist in his childhood years
19. disgust of the steaming protagonist with
20. Otherwise, if both remain intact, they consume our best energies because we must either use them to maintain exhausting defense mechanisms that keep us from sudden explosions of rage and hatred, or to repeatedly attack ourselves, others and life (see Novecento, the protagonist in Tornatore’s film “The legend of the pianist on the ocean”, who chooses to blow up with the ship, and my Cosmo-Artistic interpretation of this movie in “La nascita della Cosmo-Art” {The birth of Cosmo-Art} p
21. Lost on Wraithsong Island—it sounds like a movie, and one that I don't want to be the protagonist of
22. Since she’s the protagonist of the party, she had to spend the whole day standing beside Ali, smiling and thanking random people for their best wishes, people who according him, are their extended family, she and Ali are actually third cousins, after all
23. is the protagonist of the play and whosecharacter is in every
24. news spread of an incident in which Churchill was the protagonist and reversed
25. protagonist and the antagonist in this conflict, both attacker and defender
26. � One way the dominator expresses its complete domination comes in getting the protagonist, Winston Smith, to not only agree that two and two equal five but to deeply and completely believe, even see that imposed reality as absolutely undeniable, that two plus two equals five
27. The evil antagonist: is whitewashed and turned into a protagonist
28. [25] At the end of George Orwell's utopian novel 1984 the protagonist doesn't simply surrender to domination and its symbol, Winston Smith embodies that in the following "But it was all right, everything was all right, the struggle was finished
29. From such inner most thoughts, feelings and behaviours, both antagonist and protagonist can testify to having experienced negative spiritual and psychological consequences, which have the potential to impact destructively on both party’s ability to enjoy life to the full
30. may turn against their protagonist s for several reasons
31. Finally, the relationship between a mentor and a protagonist may deteriorate because,
32. although the mentor has an intellectual desire to see the protagonist succeed, there is
33. an emotional reluctance to risk having the protagonist become visibly more competent
34. entering such a relationship - whether as the mentor or the protagonist - should
35. risk is the tendency for the protagonist to believe that the mentor is a better, more
36. In its best form, the mentor- protagonist relationship is good for the
37. The protagonist receives valuable training and
38. Yes, you can try to be clever and break the rules of structure, many have done it before you, but in the end run what proves popular is a three act structure with a protagonist in conflict with an antagonist
39. Who Will Be the Protagonist and Antagonist?
40. The more a writer can connect a reader to his protagonist, the more interest in what happens to that character develops in the reader
41. -the protagonist will need:
42. The protagonist has a heart attack
43. ” Wyman’s 1951 movie The Blue Veil reopened those wounds, as the protagonist dealt with the matter of premature infant death
44. Its protagonist was the victim of “outrageous fortune” only to the extent that the audience took his word for it
45. ’ Much of our inner dialogue is this constant reaction to experience by a selfish, childish protagonist
46. tv; and hoodie protagonist Mark Zuckerberg, founder of a company you may have heard about, Facebook
47. In each of these tales I called my protagonist Stefan
48. Quite a protagonist, don’t you think? I’ll try not to tell him that his model has taken to wishing for a housedress and can no longer remember the scent of the ocean
49. In Miller’s 1964 play After the Fall, which opened at New York’s ANTA Washington Square Theatre in January 1964, only eighteen months after Marilyn’s death on August 7, 1962, the protagonist is a middle-aged lawyer ruminating upon his relationships with the three women in his life and how the marriages to two of them ended, the first in divorce, the second in the suicide of his wife, an actress, and the third a work in progress
50. He was always one of the protagonists, but always, as in almost everything he did, a secret protagonist
