Frasi di esempio

Scegli una lingua, poi digita una parola sotto per ottenere esempi per quella parola.

Dark in una frase (in inglese)

It was dark by now.
It was dark in there.
There is a dark side.
It will be dark soon.
They came in the dark.
It was still dark out.
Even the moon is dark.

In the dark there are.
What I do in the dark.
It was dark and cold.
It was very dark Theo.
It is a dark, dark day.
But this dark is deep:.
Out of the primal dark.
He had dark, dark eyes.
Often He wears a dark.
All around her was dark.
The thirty or so dark.
It was too dark to see.
The sky was a dark red.
The face is dark pink.
THE ONLY DARK THERE IS.
It got worse with dark.
Soon, it would be dark.
His eyes are dark blue.
He Comes from the Dark.
His dark blue eyes shone.
It was brusque and dark.
The shop was dark, the.
In the dark of your eyes.
Boil until water is dark.
Store in cool dark place.
I saw a woman with dark.
It was a shot in the dark.
Store it in a dark place.
The servants of the Dark.
Jinkai Podo wore dark red.
Hey, the house is dark.
It was fast growing dark.
Please let it be too dark.
The Golden gate bridge outline was just visible in the darking gloom.
OF GOD ON THESE NATIONS WAS A LITERAL DARKING, OR THAT IT WAS THE END OF.
NONE BELIEVES THE SUN BEING DARKENED IN THE JUDGMENT OF GOD ON THESE NATIONS WAS A LITERAL DARKING, OR THAT IT WAS THE END OF THE WORLD.

Sfortunatamente non abbiamo ancora frasi di esempio per questa parola.

Two Heineken darks, bottles are fine.
When the highest lights are low in tone, the darkest darks should be high in tone.
The darks are due to the charcoal lines of initial drawing showing through middle tone.
So with the shadows, the chalk is put on heavily in the darks and less heavily in the lighter shadows.
Have a two-compartment hamper in the kids’ rooms so they can sort lights from darks as they undress.
Do not attempt the full range of tone at first, but keep the darks rather lighter and the lights darker than nature.
Millais has also got a raised quality of paint in his darks very similar to that of Bellini and many early painters.
The darks are quite brisk up here with frost or snow even in summer, during which the floater is a limp tent in a field.
The effect of the harsh contrasts in the lines is further added to by the harsh contrasts of tone: everywhere hard lights are brought up against hard darks.
Tone relationships are most sympathetic when the middle values of your scale only are used, that is to say, when the lights are low in tone and the darks high.
Also, the highest lights in nature are never without colour, and this will lower the tone; neither are the deepest darks colourless, and this will raise their tone.
In this respect note the pictures of Whistler, a great master in matters of tone; his lights seldom approach anywhere near white, and, on the other hand, his darks never approach black in tone.
The same as the last, with the addition of the darks; variety being got in the same way as in the case of the lights, only here the thinner part is lighter, whereas in the case of the lights it was darker.
Painters like Rembrandt, whose pictures when fresh must have approached very near white in the high lights, also approach black in the darks, and nearer our own time, Frank Holl forced the whites of his pictures very high and correspondingly the darks were very heavy.

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